All media - from cable TV and downloaded music to daily newspapers and billboards - shape our culture and our democracy just as they are shaped by them. Media Literacy means becoming conscious, skilled consumers of all media, and understanding the political, cultural and economic forces that help shape the way media works.
As we reach Super Bowl weekend, the game’s broadcaster CBS is coming under criticism for accepting an anti-abortion ad (update: now two ads) paid for by Focus on the Family. For years, CBS and other networks have rejected advocacy ads during the Super Bowl. Democracy Now! gets reactions from Cecile Richards of Planned Parenthood and sportswriter Dave Zirin, author of A People’s History of Sports in the United States.
Howard Zinn, the Boston University historian and political activist who was an early opponent of US involvement in Vietnam and whose books, such as "A People's History of the United States," inspired young and old to rethink the way textbooks present the American experience, died today in Santa Monica, Calif, where he was traveling. He was 87.
His daughter, Myla Kabat-Zinn of Lexington, said he suffered a heart attack.
"He's made an amazing contribution to American intellectual and moral culture," Noam Chomsky, the left-wing activist and MIT professor, said tonight. "He's changed the conscience of America in a highly constructive way. I really can't think of anyone I can compare him to in this respect."
On Thursday, Venezuela’s National Telecommunications Commission (CONATEL) released a list of cable television companies that will be subject to the Law on Social Responsibility in Radio and Television, marking an expansion of the law’s jurisdiction over television broadcasters.
The law, known by the acronym RESORTE, establishes standards for child and adult programming, prohibits inflammatory content such as incitement riot or assassinate the president, places limits on commercial advertising, and requires stations to broadcast important government announcements.
When the law was passed in 2004, it applied only to companies holding public broadcasting concessions. Last July, CONATEL announced that cable broadcasters would undergo review and be subject to the law if 70% of their content and overall operations could be considered “national,” meaning Venezuelan.
In what could turn out to be a tall order, the Federal Communications Commission Thursday (Jan. 21) launched an initiative to examine the future of media and the information needs of communities in the digital age. Steven Waldman, who recently joined the FCC as a senior advisor to FCC Chairman Julius Genachowski, will lead the effort, which will culminate in a report later this year.
The FCC intends for the report to serve as the basis for policy recommendations for the commission and other government entities.
Topics under consideration for the report include the state of TV, radio, newspaper and Internet news and information services; the effectiveness and nature of public interest obligations in a digital era; and the role of public media and private sector foundations, among others.
One of the US's leading liberal radio networks, launched six years ago with the comedian Al Franken among its presenters to challenge the domination of Rush Limbaugh and other conservatives, has declared bankruptcy and will go off air on Monday.
Air America made a name for itself with Franken, until he left to win a seat in the Senate, who pulled in a sizeable part of its audience on 100 radio stations across the country. Other presenters included Ron Reagan, son of President Ronald Reagan.
In May 2009, Absolut Vodka launched a limited edition line called "Absolut No Label". The company's global public relations manager, Kristina Hagbard, explained that "For the first time we dare to face the world completely naked. We launch a bottle with no label and no logo, to manifest the idea that no matter what's on the outside, it's the inside that really matters."
A few months later, Starbucks opened its first unbranded coffee shop in Seattle, called 15th Avenue E Coffee and Tea. This "stealth Starbucks" (as the anomalous outlet immediately became known) was decorated with "one-of-a-kind" fixtures and customers were invited to bring in their own music for the stereo system as well as their own pet social causes – all to help develop what the company called "a community personality." Customers had to look hard to find the small print on the menus: "inspired by Starbucks". Tim Pfeiffer, a Starbucks senior vice-president, explained that unlike the ordinary Starbucks outlet that used to occupy the same piece of retail space, "This one is definitely a little neighbourhood coffee shop." After spending two decades blasting its logo on to 16,000 stores worldwide, Starbucks was now trying to escape its own brand.
By now everyone has heard about the racial firestorm that has brewed because of some remarks attributed to Senate majority leader Harry Reid in a new book called Game Change. They were made in a private conversation during the 2008 campaign where Reid noted that then Senator Obama might be successful because he was light-skin and didn’t speak with a ‘Negro Dialect’. Obama in typical fashion avoided the mess that can come when discussing race by quickly accepting Reid’s apology, downplaying the remarks and announcing ‘the book is closed’ on the subject.
Of course Obama’s Republican counterparts seeing that Reid is in a tight re-election race have been trying their best to blow this issue up. The party of Ronald Reagan who supported South African Apartheid, the party of John McCain who said ‘No to a Martin Luther King holiday are suddenly getting all Jesse Jackson-like and riding hard for all those who have been on the receiving end of racial insults and oppression.. Thank you Republican Party-I guess…Not! LOL
Where does the news come from in today’s changing media?
Who really reports the news that most people get about their communities? What role do new media, blogs and specialty news sites now play?
How, in other words, does the modern news “ecosystem” of a large American city work? And if newspapers were to die—to the extent that we can infer from the current landscape—what would that imply for what citizens would know and not know about where they live?
The questions are becoming increasingly urgent. As the economic model that has subsidized professional journalism collapses, the number of people gathering news in traditional television, print and radio organizations is shrinking markedly. What, if anything, is taking up that slack?
The answers are a moving target; even trying to figure out how to answer them is a challenge. But a new study by the Pew Research Center’s Project for Excellence in Journalism, which takes a close look at the news ecosystem of one city suggests that while the news landscape has rapidly expanded, most of what the public learns is still overwhelmingly driven by traditional media—particularly newspapers.
The study, which examined all the outlets that produced local news in Baltimore, Md., for one week, surveyed their output and then did a closer examination of six major narratives during the week, finds that much of the “news” people receive contains no original reporting. Fully eight out of ten stories studied simply repeated or repackaged previously published information.
And of the stories that did contain new information nearly all, 95%, came from traditional media—most of them newspapers. These stories then tended to set the narrative agenda for most other media outlets.
The local papers, however, are also offering less than they once did. For all of 2009, for instance, the Sun produced 32% fewer stories on any subject than it did in 1999, and 73% fewer stories than in 1991, when the company still published an evening and morning paper with competing newsrooms. [1] And a comparison of one major story during the week studied—about state budget cuts—found newspapers in the area produced only one-third as many stories in 2009 as they did the last time the state made a similar round of budget cuts in 1991, and the Baltimore Sun one seventh as many. Yet the numbers suggest the addition of new media has not come close to making up the difference.
This week, when Washington State legislators start work on the first day of the State’s legislative session, a new group of journalists will be there covering the news. Newly launched by independent journalist Trevor Griffey, Olympia Newswire is an independent, non-profit news collective, whose small staff of experienced reporters will push back against a steady erosion of the Olympia press corps.
The small makeup room off the main floor of KUSI’s studios, in a suburban canyon on the north end of San Diego, has seen better days. The carpet is stained; the couch sags. John Coleman, KUSI’s weatherman, pulls off the brown sweatshirt he has been wearing over his shirt and tie all day and appraises himself in the mirror, smoothing back his white hair and opening a makeup kit. “I kid that I have to use a trowel, to fill the crevasses of age,” he says, swiping powder under one eye and then the other. “People have tried to convince me to use more advanced makeup, but I don’t. I don’t try to fool anyone.”
Coleman is seventy-five years old, and looks it, which is refreshing in the Dorian Gray-like environs of television news. He refers to his position at KUSI, a modestly eccentric independent station in San Diego whose evening newscast usually runs fifth out of five in the local market, as his retirement job. When he steps in front of the green screen, it’s clear why he has chosen it over actual retirement; in front of the camera he moves, if not quite like a man half his age, then at least like a man three quarters of it. His eyes light up, and the slight stoop with which he otherwise carries himself disappears. His rumble of a voice evens out into a theatrical baritone, full of the practiced jocularity of someone who has spent all but the first nineteen years of his life on TV.
By his own rough estimate, John Coleman has performed more than a quarter million weathercasts. It is not a stretch to say that he is largely responsible for the shape of the modern weather report. As the first weatherman on ABC’s Good Morning America in the late 1970s and early ’80s, Coleman pioneered the use of the onscreen satellite technology and computer graphics that are now standard nearly everywhere. In 1982, chafing at the limitations of his daily slot on GMA, Coleman used his spare time—and media mogul Frank Batten’s money—to launch The Weather Channel. The idea seemed quixotic then, and his tenure as president ended a year later after an acrimonious split with Batten. But time proved Coleman to be something of a genius—the channel was turning a profit within four years, and by the time NBC-Universal bought it in 2008 it had 85 million viewers and a $3.5 billion price tag.
